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・ Epitalara
・ Epitalara commixta
・ Epitalara reversa
・ Epitalio
・ Epitamyra
・ Epitamyra albomaculalis
・ Epitamyra birectalis
・ Epitamyra minusculalis
・ Epitaph
・ Epitaph (Charles Mingus album)
・ Epitaph (disambiguation)
・ Epitaph (film)
・ Epitaph (Front Line Assembly album)
・ Epitaph (King Crimson album)
・ Epitaph (Necrophagist album)
Epitaph (song)
・ Epitaph (TV series)
・ Epitaph for George Dillon
・ Epitaph for James Smith
・ Epitaph Formation
・ Epitaph of Gllavenica
・ Epitaph on the tomb of Basil II
・ Epitaph One
・ Epitaph Records
・ Epitaph Records discography
・ Epitaph to a Dog
・ Epitaph World Tour
・ Epitaphios
・ Epitaphios (liturgical)
・ Epitaphium


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Epitaph (song) : ウィキペディア英語版
Epitaph (song)

"Epitaph" is track #3 on British progressive rock band King Crimson's 1969 album ''In the Court of the Crimson King''. It was written by Robert Fripp, Ian McDonald, Greg Lake, and Michael Giles with lyrics written by Peter Sinfield.
The song is noted for its heavy use of the Mellotron,〔Macan (1997), p.23〕〔Martin (1998), p.158-159〕 and as with the first track, "21st Century Schizoid Man", the song's lyrics have a distinctly dystopian feel to them.〔〔Holm-Hudson (2008), p.41〕
The song's title was used as the name for a live album of recordings done by the original King Crimson, ''Epitaph''.〔Ayers (2006), p.179〕
Emerson, Lake & Palmer would later incorporate an excerpt from this song after the "Battlefield" portion of the live version of their song "Tarkus", from the ''Tarkus'' album, as documented in the live album ''Welcome Back My Friends to the Show That Never Ends... Ladies and Gentlemen''.
"Stripes" from Cage's album ''Hell's Winter'' samples a middle part of the song throughout its duration.
Epitaph Records also took its name from the song.
==Personnel==

*Robert Frippguitars
*Greg Lakebass guitar, vocals
*Ian McDonaldMellotron, harpsichord, piano, flute, organ, clarinet, bass clarinet
*Michael Gilesdrums, percussion, timpani
*Peter Sinfieldlyrics

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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